For years I made exhibitions way harder than they needed to be. All you have to do is get in there and feel uninhibited - you can try things, be experimental, and play. When you stay in that state for as long as possible, working on multiples, the work goes quicker and it's more enjoyable. Plus, when you feel free, the work's just better. This is how you can go from dreading shows to loving them. The art gets better, you get better, and the whole process becomes interesting and fun instead of st